Contents

On the Medi­al­i­ty of Two Tow­ers: Calgary—Toronto | Ira Wag­man and Liam Cole Young

Ter­raform­ings | Vin­cent Bruyere

Iden­ti­ty with­out Sim­i­lar­i­ty: The Rela­tion between the Indi­vid­ual and Her Pic­ture | Maja Tabea Jer­ren­trup

Sharp Sybarit­ic” Retro­fu­tur­is­tic Deco Real­ism: Some Pre­lim­i­nary Notes on the 1980s Air­brush Art | Ursu­la-Helen Kas­saveti

Dis/Corporatization: The Biopol­i­tics of Pros­thet­ic Lives and Posthu­man Trau­ma in Ghost in the Shell Films | Don­na T. Tong

A Dif­fer­ent Pitch: Lis­ten­ing to Water Through Con­tem­po­rary Art in a Time of Extrac­tion | Ruth Beer and Caitlin Chais­son

Remem­ber­ing Paris 1968: Fash­ion The­atre of Protest | Ele­na Siemens

Lib­er­at­ing Bicy­cles in Niki Caro’s Whale Rid­er and in Haifaa Al Mansour’s Wad­j­da | Doris Ham­buch

Being from a Bad Neigh­bour­hood: Con­fronting Bad Deci­sion Dis­cours­es in the Impov­er­ished Inner City | Lau­ra Bisail­lon, Mehdia Has­san, and Maryam Has­san

Con­trib­u­tor Bios


Issue doi: dx​.doi​.org/​1​0​.​1​7​7​4​2​/​I​M​A​G​E​.​O​I​.​1​0.2

Edi­tor-in-Chief: Markus Reisen­leit­ner
Man­ag­ing Edi­tor: Brent Ryan Bel­lamy
Eng­lish Sub­stan­tive and Copy Edi­tor: Thomas Laugh­lin
French Trans­la­tor and Edi­tor: Dominique Lau­rent
Web & PDF Lay­out and Design: Markus Reisen­leit­ner

Image Cred­it: Maja Tabea Jer­ren­trup / Jamari Lior